科斯塔很擅长拍这种类型片，其实是一场很简单的劫持案，沃尔塔的劫匪怎么都会串戏到低俗小说，其实他也不算第一主角，外面的媒体才是，无间断直播.
导演所要表现的是在讽刺媒体记者在收视率面前会想尽办法不择手段的伎俩，一开始会以为霍夫曼所饰演的记者是会为了自己的前途而出卖良知，当然也有这样去做，不过在后半段最后还是有道德底线.
虽然是一场悲剧，以自杀式爆炸结尾. 镜头上升好似上帝视角，是谁杀死了他，是团团包围的新闻记者，是观众，又或者是我们自己，新闻记者所代表的真实与权威有多少可信度，是谁操控了我们的生活～这个片子如果给自己的定位是一部传记片，一些问题是可以接受的，但它明显不是传记片，作为剧情片来说，那些问题就真是问题了，比方说打女人这个初始人设. 还有很多地方给人感觉用力过猛. 前半段剧情拼命赶，你仿佛能看到一个计划表，要在几分几秒完成什么任务，后半段又有些黏糊. 然后片方当初宣传公关的所谓关注现实题材的点，其实也都用力过猛甚至夸张到让我反感的地步了，所以我坚决没去影院直到现在才看. 在我的标准它是个7分的片子，对国产片宽容，四舍五入鼓励性打四星. The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..
